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How We Disappear

Tara Lynn Masih offers readers transporting and compelling stories of those taken, those missing, and those neither here nor gone—
runaways, exiles, wanderers, ghosts, even the elusive Dame Agatha Christie. From the remote Siberian taiga to the harsh American frontier, from rural Long Island to postwar Belgium, Masih’s characters are diverse in identity and circumstance, defying the burden of erasure by disappearing into or emerging from physical and emotional landscapes.

Described as “masterful” and as “striking and resonant” (Publishers Weekly), Masih’s fiction, crossing boundaries between historical and contemporary, sparks with awareness that nothing and no one is ever gone for good—and that the wilderness is never quite behind us. 

Partial royalties to be donated to The Teen Project.

#HowWeDisappearStories

 

Praise for How We Disappear
 

A virtuoso collection of stories that spin around an axis of loss and rediscovery, where things thought gone forever magically reappear in new guises. Tara Lynn Masih has created a world of stolen girls, magic livestock, ghost towns, enchanted confections, and forbidden love that is underpinned in equal measure by wry humor and peril. These are middle-of-the night stories, secret messages carried on desert winds, spider-web invitations that make you want to stay and dream some more.

—Tina May Hall, author of The Snow Collectors and winner of the Drue Heinz Literature Prize

 

How We Disappear traffics, beautifully, in the liminal spaces between past and present, imagination and memory. These stories are concise, unsparing, lyrical, always daring.

—Michael Parker, O. Henry Award–winning author of Prairie Fever

 

“‘It is easy to love a ghost who asks nothing of you,’” writes Tara Lynn Masih, in her lush, lyrical and richly imagined collection How We Disappear. With sweeping intelligence and effortless command, Masih deftly explores the aching presence of the absent, and the absence of those present, in stories that read like instant classics—timely, and yet, of another time. . . . These are sensual, transporting stories that traverse the globe . . . as they burrow deep and stay within long after we finish reading.

—Sara Lippmann, author of Jerks and Doll Palace, Longlisted for the Frank O'Connor International Short Story Award

 

The breadth and diversity of the stories in How We Disappear illustrate the vast possibilities of human experience. A multiplicity of voices, backgrounds, regions, story lengths, points-of-view, levels of realism, and historical contexts show the extraordinary range of Masih’s vision. The characters who populate the collection are driven by impulses stronger than their own understandings, and it is often by following those impulses that they find their salvation. The result is a book that explores with insight the role of instinct in human life. How We Disappear reveals the strange animals that we are, and the wondrous beings our minds make of us.

—Phong Nguyen, author of The Bronze Drum and Pages from the Textbook of Alternate History

 

In How We Disappear, Masih's characters move out of, into, and through vivid, beautifully rendered landscapes—of the world and of the self. Disappearing acts are urgent and necessary, leading to a deeply interior sense of redemption and connection. A powerful collection.

—Claire Boyles, author of Site Fidelity, Longlisted for the PEN/America Robert W. Bingham Prize

 

How We Disappear is stunning and startling, splendid and spectral, in so many ways. Tara Lynn Masih has offered us a mesmerizing collection.

Stacy D. Flood, author of The Salt Fields: A Novella

 

The ink is never pale in How We Disappear, and neither are the memories. With each story, I became more and more amazed. Masih is a frotteur in the old sense, rubbing words together to make distant worlds surface and come alive in rich, lush, and engrossing detail. As a writer, I always learn more about writing from Tara Lynn Masih. As a reader, I'm always carried away by her stories.

—Grant Faulkner, author of Fissures and The Art of Brevity

 

Press 53, 2022